New competition everywhere Essay Example for Free

New competition everywhere Essay 1) Discuss globalization. Identify define any four major risks that you may perceive during globalization. Identify the challenges that MNC managers face in the 21st century. (1+2+2) 2) Draw the Open System Model for int’l management briefly discuss the variables for the same. (5) 3) Discuss political risk. Define 7 typical political risk events around the world. Discuss how to asses manage political risks. (1+2+2) 4) Distinguish between e-business e-commerce. Discuss technological environment. Discuss the factors affecting the management in the int’l arena. (1+1+3) 1) Discuss CSV. Define human rights MNC responsibilities. Identify discuss some code of conducts for CSR. List define some benefits of CSR in int’l arena. (1+1+1+2) 2) Draw the Moral Philosophy of Cross-cultural Societal Ethics flowchart. Discuss the Relation between ethics technology. Discuss the characteristics of different types of questionable payments. (1+2+2) 3) Discuss how to manage Subsidiary-Host country interdependence. (5) Ch 03_Role of Culture 1) Define culture. Draw briefly discuss the diagram for environmental variables that are affecting management functions.(1+4) 2) Discuss societal organizational cultures. Identify discuss the Affects of culture on management. (1+4) 3) Identify discuss the variables that form the subsystems in a society. (5) Ch 04_Communicating across Cultures 1) Draw the communication process diagram discuss the noise for the same. Define why trust-based relationship is necessary for the success of marketing communication. (2+3) 2) Identify discuss some cultural variables that influence the perceptions of other nations.

Countries Can No Longer Exclude Immigrants Essay -- Immigration, Immi

Introduction In today’s world migration is a social phenomenon that affects a variety of countries. Nations are either experiencing an influx of immigrants or have the problem of individuals exiting their country. This movement of people between nations gives rise to a multitude of problems. The issue that this paper will explore, using examples from around the world, is that of incorporation. How are immigrants incorporated into their new social and geographic setting? Is this a smooth process or are immigrants locked in a period of liminality (transition stage) where they are literally and figuratively neither here nor there? In addition, are there possible solutions that can better facilitate the incorporation of immigrants and the movement of people between nations? Taboo, Liminality, and Boundaries â€Å"The idea of Society is a powerful image. It is potent in its own right to control or stir men to action. This image has form; it has external boundaries, margins, and internal structure. Its outlines contain power to reward conformity and repulse attack. There is energy in its margins and unstructured areas. For symbols of society any human experience of structures, margins, or boundaries is ready to hand (Douglas 1966:113).† - from Mary Douglas, Purity and Danger In the above quotation Mary Douglas (1960) describes the fundamental aspect of a society. Any organization of humans forms its own boundaries, whether real or imagined, and these have social consequences if crossed. Likewise, as immigrants cross the literal and figurative border of a state, they transgress both the social and geographic boundaries of the society in question. For most migrants the transition or â€Å"rite of passage† from one country to another ... ...drick A. Praeger, Inc. Espenshade, Thomas J. 1996 Contemporary American Attitudes Towards U.S. Immigration. Migration Review:539-541. Hastings, Donnan, and Thomas Wilson. 1999 Borders: Frontiers of Nation, Identity, and State. Oxford: Berg. Tarvarainen, Sinikka. 2006 African’s Dramatic Odyssey End in Homelessness in Spain. Deutsceh Press: 1-2. Turner, Victor. 2005 Betwixt and Between: The Liminal Periods in Rites de Passage. In Magic, Witchcraft, and Religion: An Anthropological Study of the Supernatural. 6th edition. Lehmann, Arthur C., with James Meyers and Pamela A. Moro, ed. Pp. 95-105. New York: McGraw-Hill. van Gennep, Arnold. 1960 The Rites of Passage. Monika B. Vizedom and Gabrielle L. Caffee, trans. Chicago: University of Chicago Press. White, Gregory. 2001 Risking the Strait: Moroccan Labor Migration to Spain. Middle East Report: 26-27.

De Stijl

De Stijl in Dutch means â€Å" The Style†, also known as neoplasticism, was a Dutch artistic movement founded in 1917. The movement was mainly about creating geometric abstract paintings. In a narrower sense, De Stijl was a term used refers to a body of work from 1917 to 1931 founded in Netherlands. De Stijl was also the name of the journal, which published by the Dutch painter, designer, writer, and critic Theo van Doesburg (1883 ­Ã¢â‚¬â€œ1931), propagating the group’s theories.Besides him, the principal members of De Stijl group include painters Piet Mondrian (1872–1944), Vilmos Huszar (1884–1960), and Bart van der leck (1876-1958), and the architects Gerrit Rietveld (1888–1964), Robert van’t Hoff (1887–1979), and J. J. P. Oud (1890–1963). The basic artistic philosophy of the group’s work was known as neoplasticism — â€Å"the new plastic art (or Nieuwe Beelding in Dutch). †In general, De Stijl used only straight horizontal and vertical lines and rectangular forms to proposed both in architecture and painring , the ultimate simplicity and abstraction. For example,the Red and Blue Chair designed by Gerrit Rietveld in 1917. They used limited colors like red, yellow, and blue as their formal vocabulary. And they had three primary values, black, white, and grey. Their works used opposition to avoid symmetry and attained aesthetic balance. This element of the movement embodies the second meaning of stijl: a post, jamb or support†. It was the best example of the constructive crossing joints, most commonly seen in carpentry. De Stijl was influenced by Cubist painting as well as by the mysticism and the ideas about â€Å"ideal† geometric forms in the neoplatonic philosophy of mathematician M. H. J. Schoenmaekers. This movement also influenced the Bauhaus style and the international style of architecture as well as clothing and interior design.However, different from Bauhaus, D e Stijl didn’t follow the general guidelines of an â€Å"ism† (Cubism, Futurism, Surrealism), nor did it held the principles of art schools like the Bauhaus. It was a collection of artworks and a joint enterprise. De Stijl completely rejected to use any concrete element. They advocated the use of pure geometric abstraction to express the pure spirit. They thought only to put aside specific description and details to avoid the individuality and specificity of an artwork, and then art could obtain the common human sense.

Why Men in the Revolution Fought - 877 Words

Why Men Fought in the American Revolution â€Å"Why Men Fought in the American Revolution,† explains the reasons that American men decided to fight and risk their lives for their families and their beliefs. Robert L. Middlekauff lists his opinions in this excerpt of the many reasons men chose to fight against the British in the Revolutionary War. In â€Å"Why Men fought in the American Revolution,† MiddleKauff makes the argument that the American soldiers fought because their beliefs were reflected through their fighting. He shows that soldiers used their relationships to endure the fighting, felt a sense of responsibility to their family and to their country, and shows the false explanations that some believe to be true. Soldiers relied†¦show more content†¦Another incorrect explanation is the excessive believe in the Holy Spirit. Since the colonies were founded on Christian ideas there was obviously many prayers going out from the men, but they never thought that they were invincible to bullets or other weaponry. Robert Middlekauff even suggests that some believed the soldiers plundered the British corpses. Although it is not unheard of in combat, men must have fought for more than the chance to plunder the enemy. Why would anyone put so much at risk just to obtain trinkets? Some would suggest that the officers had to provide great amounts of alcohol to get the soldiers drunk. They argued that the soldiers had to be drunk in order to suppress their fear of the British Army. This is of course a ridiculous accusation. The American Militia did not fight for such trivial, fabricated reasons. In conclusion, Robert Middlekauff has proven his argument for why men in the American Revolution fought. He believed that soldier’s beliefs were portrayed through their fighting. He claims that the soldiers used their relationships with their comrades to help them through the fighting and to endure the violence. Middlekauff also points out their responsibility of the soldiers to protect their families as well as their country. He makes an argument to show that soldiers fought because of strong feelings of responsibility and independence. He discredits theories that mock the important values of the American soldiers such asShow MoreRelatedEssay about Killer Angels1119 Words   |  5 Pages Wars have been fought for many different reasons through the years, and that holds true for the American Civil War (1861-1865). In Michael Shaara’s Pulitzer Prize winning novel, The Killer Angels, the reasons for fighting the war are brought about through the officers and soldie rs at a famous battle site of the Civil War, Gettysburg. Gettysburg was one of the most documented battles of the whole war. 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